But there's a hitch! The film bears an uncanny resemblance to Ramgopal Varma's immensely likable ‘Rangeela’ and Yash Raj's utterly forgettable ‘Aaja Nachle’. No issues if ‘Let's Dance’ seeks inspiration from elsewhere [coincidence?], but in an effort to showcase Gayatri's dances, the remaining aspects take a backseat. The dances appeal, but the love story doesn't. And the crime angle, injected in the plotline, is a big bore.
Let's be specific. Gayatri's dances are a treat [she dances exceptionally well], but her love interest cuts a sorry picture. The street children's connection with a crook also seems unwarranted.
In a nutshell, ‘Let's Dance’ will be best remembered for Gayatri's exuberant dances. That's it!
‘Let's Dance’ is about a girl who gives direction in life to a group of street kids. Young and peppy, she is a dancer who runs her own dance school and plays the catalyst in the story. She comes in contact with a bunch of street kids and hence, begins a journey she believes in.
Editor-turned-director Aarif Sheikh has shot the film well, but he could've done with a tighter script. Music is a plus point, but what stays with you is the choreography of all songs, especially 'Taare Todh Ke La'.
Gayatri Patel is a fine actress and her dancing skills catch your attention. The two heroes don't cut ice, but the kids do, mainly the eldest kid who talks and behaves like a real tapori.
On the whole, ‘Let's Dance’ is too ordinary, with its share of limitations.