 The pleasure one gets from discovering a new talent is what makes film reviewing rewarding. Rituparno Ghosh is not really a new talent. His first feature film (he had earlier made Hirer Angti for the N’CYP) was Unishe April, and it won the Swarn Kamal for Best Film. Not having seen his Bergmanesque exploration of a troubled mother-daughter relationship, one looked forward to Dahan to find out if the film lived up to the maker’s massive reputation.
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