PRACTICAL MAGIC
Casting a spell of love
Sandra Bullock and Nicole Kidman play sisters who
inherit
magical powers which prove fatal for the men they fall in love
with...
They are sisters, but as different as chalk and cheese.
Sally Owens (Sandra Bullock) is sober and thoughtful, while Gillian Owens
(Nicole Kidman) is fiery and reckless. Raised by their aunts after their
parents death, the sisters grow up without any restrictions being placed
on them. As little girls, they ate chocolate cake for breakfast, stayed up
late and studied spell books, practising the ancient arts of white magic
that had been handed down through their family from generation to
generation.
In an attempt to pass on the unique and powerful psychic
heritage of the Owens women, Aunt Jet (Dianne Wiest) and Aunt Frances (Stockard
Channing) hope to give their nieces the strength that comes from the use
of practical magic. But the invocation of the Owens sorcery also carries
a price which many term a curse: the men they fall in love with are doomed
to an untimely death.
Watching her aunts weave spells for the lonely and
the lovelorn, the quieter Sally begins to believe that she will never find
her soul-mate. She distances herself from her foremothers, denies herself
powers and strives to build for herself a normal, magic-free
life. The impish Gillian, on the other hand, is thrilled by her pull over
men, and makes full use of her supernatural powers to lead a tumbleweed existence
that leaves a trail of broken hearts in her wake.
When Gillian meets Jimmy (Goran Visnjic), a malevolent
drifter, she unwittingly sets off a chain of explosive events that brings
police officer Gary Hallet (Aidan Quinn) onto the family porch, and into
Sallys heart, while releasing a swarm of supernatural forces that threatens
the lives of all the Owens women.
Griffin Dunne, who recently directed the romantic comedy
Addicted To Love, directs Practical Magic for producer Denise Di Novi. The
film is based on the best-selling novel by the same name written by Alice
Hoffman. Producer Di Novi has always been a fan of the author and this particular
novel is her favourite. Says she, The thing I love about Alices
books is that they deal with women thrust into situations that border on
the magical or surreal. What was captivating about Practical Magic in particular
was that it was not only a very real story emotionally, but it was also magical
with other-worldly elements to it.
According to author Hoffman the story is about loss
and about feeling different. Sally and Gillian grow up feeling that
they are outcasts in some way. The other kids avoid them, talk behind their
backs, throw stones. That kind of ostracism is part of the reason for the
problems they experience in their lives, explains the author.
Producer Di Novi decided on director Dunne after seeing
Duke Of Groove and Addicted To Love. Griffin is able to balance a lot
of sensibilties, feels the producer, in terms of his ability
to direct drama and very serious things. But he has also this very sophisticated
and ironic sense of humour, and I felt he would be able to hit all the right
tones with this movie.
The director on his part was enchanted by the script.
It was literally like a cauldron, he says, Every emotion,
theme and ingredient you could imagine was swirling around in it. I particularly
liked the womens use of magic; it comes right from the title. Its
about a more practical, almost holistic approach that seems like a gift that
virtually anyone could have.
The producer found that despite the richness of the
history of magic, the 20th century world tends to classify it as part
superstition, part claptrap. Today, we think that there is a separation
between real life and magic, says Di Novi, But if you really
analyse life, magical things happen every day. Why do you dream about things
before they happen? How can you hear your baby crying from miles away? How
do yo know the instant someone close to you dies? Why do you fall in love
at first sight? Those kinds of things are magical. Everyday life, everyone
- theyre magical even if we dont realise it.
Sandra Bullock was the first of the artistes to be
cast in the film. Producer Di Novi says that they didnt have to think
much about casting her since she is a convincing actress. She justifies,
When I looked at While You Were Sleeping and Hope Floats, I saw that
she was able to make the characters very accessible. No matter what Sandra
does on screen, you identify with her.
Bullock too was very excited about the script. I
loved the idea that the integral part of this story is about two sisters
who are essentially torn apart. They are just so opposite, but they really
need each other. Its like a gene was split in half and, without each
other, they cant function, says the actress.
For Sallys sister, the filmmakers were keen on
Nicole Kidman. She is someone who can play extreme, complex characters
and bring them to life in a way that they seem totally real and not
fabrication, opines Di Novi, She is also very magnetic and
compelling, which Gillian has to be.
Gillian is the wild one, says Kidman,
She chooses to leave home because the people there ridicule her and
her sister for being different. I think that is one of the more important
things that the novel points out - that you should embrace your eccentricity
and individuality rather than attempt to conform to what people expect you
to be.
The two actresses complement each other very well feels
director Dunne. And whats important is that both are are game for anything.
Comments Sandra, I think its because Nicole and I are so opposite,
our energies are so opposite, that we needed what the other person had. We
have a really strong affection for one another and I dont know where
that came from. Theres a connection and it produced the chemistry we
needed to play sisters.
But more than magic, the film illustrates the many
aspects of love - between sisters, between mother and daughter, between men
and women. It is a love story that deals with destiny, and how people find
true love. As author Hoffman says, Love is the ultimate magic, the
ultimate spell without reason, often making no sense.
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