
He's outgrowing
his macho image. His screen performances extend beyond karate chops and flying
kicks today. Not content with keeping the front-benchers wolf-whistling,
he aspires to be a family entertainer now. Ever since his heroic exploits
in Border established his histrionic credentials, he's been trying to push
himself out of the pow-balm zone. "Better cinema!" is his latest
mantra.
Post Border,
if Prithvi WAS a blow to his new-found dignity, the surprise success of Bhai
strengthened his position substantially. But it was the unnerving failure
of Dhaal, which couldn't even fetch him a decent initial, that set him thinking.
He started visiting directors of consequence and asking for work. His regular
rounds of Gulzar's office landed him a plum role in Hu Tu Tu. There's no
stopping the guy who's on a singing spree now. Govind Nihalani, Priyadarshan,
Shashilal Nair, Ram Gopal Verma, Dharmesh Darshan, Rajiv Ravi - he's bogged
the choicest roles with the best of directors. And then, just when it seemed
that he had made a smooth transition from the crass action flicks to the
elite genre of meaningful cinema, his bare torso pinned with medals and pips
appeared on the hoardings of his latest release Vinashak. We decided it was
time not to cross-check with the man himself. We met Sunil Shetty on the
sets of Kala Samraiya at Kamalistan Studios. In his per hip-hugging denims
topped with a collarless white shirt, he gave his final shot with Monica
Bedi, chatted up visiting fans in chaste Marathi before settling down in
a cool corner for a heart-to-heart.
(...contd)
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