HERCULES
DIRECTORS:
John Musker, Ron Clements
PRODUCERS: Alice Dewey, John Musker, Ron Clements
ANIMATION SCREENPLAY: Ron Clements & John Musker,
Donald McEnery & Bob Shaw, Irene Mecchi
MUSIC: Alan Menken
LYRICS: David Zippel
ART DIRECTOR: Andy Gaskill
VOICES: Tate Donovan, Joshua Keaton,
Danny DeVito, James Woods, Susan Egan, Rip Torn
Smiles all
around, witty asides, clever animation, foot-tapping music, romance and
melodrama, topped off with froth and bubble, and pastel flowers thrown in
for good measure. Hercules is entertaining fare for adults and children,
with the classic Disney feel-good touch.
The story
is a traditional fairy-tale about an outcast hero who struggles to prove
himself and go back to where he belongs. Way back, when all the world
was new, Baby Hercules is born to the Greek gods Zeus and Hera. Jealousy
and trouble come in the form of Hades, lord of the underworld. And he is
particularly miffed when he finds out from the three ghastly Fates that though
18 years later, when the planets are in perfect alignment, he will be able
to establish his rule over heaven and earth, his plans will be foiled if
he finds himself coming up against Hercules.
The enraged
Hades sends his sidekicks to kidnap baby Hercules, turn him into a mortal,
and then kill him. Unfortunately, the sidekicks goof up, and though they
turn the baby into a mortal, they are unable to kill him. Hercules is found
by a peasant couple and grows up to be a young man of extraordinary strength.
But this ability makes him a freak, and he longs to return to his roots.
On advice from his father Zeus, Hercules sets off on a journey to become
a hero and regain his celestial status, training under the comical satyre
Phil (based on Danny DeVito, who also lends his voice), and going on to conquer
a string of terrible monsters as well as the heart of a young girl, Meg,
who is a slave to Hades.
The animation
and characterisation are excellent as usual, and all the monsters are hideously
terrifying. The lilting music keeps the tone of the film upbeat, and there
is a very clever use of the concept of the Greek chorus which narrates and
comments on the tale in the form of five spirited singers warbling away in
the gospel style.
Only one
sequence sticks out like a sore thumb. When Hercules reaches new pinnacles
of fame as a hero, there is a rather funny take-off on how famous people
become the basis of merchandise like plastic action figures and beach sandals.
But the song is obviously also a rather shameless plug of Disneys real-life
merchandise based on this film. Okay, everyone knows that competition is
cut-throat these days, but surely a class act like Disney doesnt need
to push its movie merchandise in this manner.
Nevertheless,
this film is a must-see for all fans of animated musical
entertainment. |
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