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The
FICCI Entertainment Committee in collaboration with Arthur Andersen
has prepared the first ever definitive study in India on The Indian
Entertainment Industry. This report, which has received wide acclaim
both within India and abroad has become the accepted referral document
on the Indian entertainment industry.
Highlights
of the Arthur Andersen Report
The report focusses
upon the uniqueness of the Indian Entertainment Industry and its
huge potential for growth, resulting in employment generation, revenues
and taxes.
The entertainment
industry has been segmented into the following categories: Films,
Television broadcasting, Cable television, Television software,
Music, Radio and Live entertainment and event management.
An in-depth
analysis of each industry segment, detailing its overall shape and
size, revenue streams, the technology trends and future potential
is summarised below.
FILMS
The current
size of the films segment, in terms of costs, is estimated at Rs
13.0 billion, with the industry budget increasing at about 10 percent
per annum over the last 5 years. The future growth of the segment
will be driven by expansion in exhibition infrastructure and development
of multiplexes, availability of finance from institutional sources,
exports of film and animation software and emerging revenue sources
such as web-casting, etc. On account of the above factors, the segment
is estimated to grow at 25 per cent per annum to a size of about
Rs 40 billion by Financial Year 2005. The government should take
the following measures for the segment to achieve its growth potential:
Corporatisation:
This is an imperative for the players to tap formal sources of finance
and fund their growth plans. The Government can drive corporatisation
by providing incentives such as exemption from capital gains tax
to corporatising entities.
Diversification:
Film companies should diversify into other segments of the entertainment
industry like their global peers. This not only will mitigate risk
associated with films but also enable the companies to cross promote
their offerings across several delivery platforms in the era of
convergence.
Expansion
in exhibition infrastructure:
At 12.5 screens per million people, film exhibition infrastructure
in India is much lower than in developed countries and woefully
inadequate for the large population. In order to boost revenues,
there is a compelling need to expand and spruce up the exhibition
infrastructure.
Rationalisation
of ET:
The entertainment tax in India is much higher than in other Asian
countries. Besides, the level and nature of taxation varies from
state to state. The Government should reduce and standardise ET
to encourage fresh investment in theatre infrastructure.
Ceilings
on ticket rates:
This regulation, present in some states, has rendered operations
of numerous theatres unprofitable. The state governments should
consider doing away with this regulation.
Multiplexes:
Globally, multiplexes have led to a boom in film exhibition. In
India, this nascent concept should be nurtured through fiscal incentives
such as ET holidays etc.
TELEVISION BROADCASTING
The size of
the television broadcasting segment is currently estimated at Rs
30 billion. In the future, this segment is expected to grow as a
result of growth in advertisement revenues and subscription revenues.
While advertisement revenues will increase because of the rising
share of television in the total advertising expenditure, subscription
revenues are expected to surge as a result of consolidation and
regulation in the distribution market. These factors will lead to
a growth in the segment to about Rs 84 billion by Financial Year
2005 and Rs 289 billion by Financial Year 2010.
The growth of the segment can be significantly aided by:
Service
tiers and addressability
Classification of television channels into free-to-air and pay channels
will decide the allocation of advertisement revenues and subscription
revenues among channels. Addressability through installation of
conditional access systems at the subscriber level will ensure that
the subscriber numbers are transparent and the fair share of subscription
revenues flow to the broadcaster. The government should speedily
institute regulation in this regard.
Introduction
of DTH television:
In overseas markets, Direct To Home TV has become an assured revenue
stream for broadcasters and complimented the growth of this stream.
While the government has come out with preliminary guidelines, it
should speedily bring about the introduction of DTH services.
CABLE TELEVISION
The current
size of the cable television segment is estimated at Rs 24 billion.
Going forward, the principal growth drivers for the segment would
be increase in number of cable households, increase in subscription
rates and revenues from value-added services such as internet over
cable, pay per view, video on demand, etc. The segment is expected
to grow to about Rs 70 billion by Financial Year 2005. Further,
the segment is expected to witness consolidation in future, which
will be driven by the desire of media companies to straddle the
entire entertainment value chain from content creation to delivery.
For the cable
segment to develop in future, the government should implement the
following:
Introduce
service tiers and addressability
This has been elucidated in the television broadcasting segment
above. These measures would benefit the cable television segment
too. Cable TV will then have viewership with distinct demographic
profiles, which will lead to higher cable advertisement revenues.
Licensing:
Lack of licensing for cable has led to the financially weak local
cable operators (LCOs) owning the last mile to subscriber homes.
As substantial investment is required for the future development
of the industry, the Government must auction licences for cable
TV services as soon as possible.
Content:
At present it is the cable operators that are responsible for the
content beamed over cable networks. Going forward, broadcasters
should be asked to register themselves with the regulator, and be
made responsible for conforming to advertising and programming codes.
Technological
upgradation
As is happening in the advanced economies, in India too, in due
course of time, DTH and wireless cable are expected to give stiff
competition to the cable industry. The industry needs to prepare
for this competition by rapidly upgrading its network to provide
value-added services and reduce dependence on TV subscription revenues.
TV SOFTWARE
The television
software segment, currently, has a size of Rs 14 billion. Continued
growth in domestic demand for quality content, re-exploitation of
library content, increasing export of software to international
markets and emerging revenue sources such as web-casting will be
responsible for rapid growth in this segment in future. As a result
of the above, the segment is expected to grow to Rs 54 billion by
Financial Year 2005. Going forward, consolidation is expected to
happen in this fragmented industry. Financial strength, programming
ability, genre versatility, client relationships and success record
will become the key factors for survival and success.
The industry
should implement the following agenda in order to grow and reach
global standards:
Expansion
In order to reach global size, Indian content companies need to
invest in substantially in infrastructure and expand operations
rapidly across media segments. At the same time, they should aim
to become global content players by leveraging on their cost advantage
and developing content for the global market.
Consistent
accounting
At present, in India, television software companies follow diverse
accounting practices and there is a lack of uniformity in presentation
of financial information. The industry, along with the ICAI (Institute
of Chartered Accountants of India), should formulate standard accounting
policies, in line with international norms. This will substantially
improve the level of transparency and disclosures to the benefit
of investors and enhance the image of the industry globally.
MUSIC
The music business
today is worth Rs 12.5 billion but piracy takes away roughly 40
per cent of the market. Indian Music Industry (IMI), the industry
body which spearheads the industrys combat against piracy,
has been instrumental in bringing down piracy from an astronomical
level of 80 per cent to the current 40 per cent. The segment is
projected to grow to a size of Rs 19 billion by Financial Year 2005
as a result of such several factors such as organised music retailing,
promotion of music albums by music television channels, exports
of film music, potential of the internet as a powerful music distribution
channel and demand for music from private radio channes. The business
is expected to become more diverse in terms of different genres
of music. Segments like international music and Indipop will grow
in importance. In this respect, some of the global trends can serve
as a pointer to the future.
Digitally
compressed music
The popularity of digitally compressed music (in MP3 format) is
expected to catch on in India. Once copyright issues are resolved,
music companies can harness the power of the internet effectively
for music distribution.
Cross-media
presence
Globally, music companies are conglomerates having presence in several
media segments. Indian music companies should diversify to gain
presence in other media segments besides music.
Publishing
revenue
Publishing revenue refers to the revenue that music companies derive
from television channels, restaurant owners, etc who play the companys
music. Music companies should execute arrangements with channels
and establishments to exploit this revenue source.
RADIO
Radio receives
only 2 per cent of the total advertising expenditure of the country
despite its coverage of almost the entire population. The current
size of the segment is about Rs 0.8 billion. This is however, expected
to change with the privatisation of FM Radio, which will result
in radio content with slick presentation, good hardware and software,
catchy jingles, and a keen empathy with the listener. This segments
share in total advertising expenditure is expected to increase to
the international average of 8 per cent by Financial Year 2010,
resulting in an industry size of Rs 7 billion by Financial Year
2005 and Rs 34 billion by Financial Y ear 2010.
The golden
age of radio will materialise if the government adopts measures
as under:
License
fee structure:
As the private radio business is capital intensive, the industry
and the Government together should devise a licensing structure
that is sustainable in the long term.
FM stations:
In its privatisation policy, the Government has clarified that while
a company can own any number of stations, each station must be independent
in terms of content. Removal of this constraint will enable radio
broadcasters to exploit the nation-wide / region-wide audience for
a particular kind of programming.
Ban on news
and information:
This restriction denies private radio the role of an active community
participant and neighbourhood watchdog. The industry should convince
the Government to give private radio operators operational freedom,
as is given to the private television channels.
Restrictions
on leasing of AIR studios:
Leasing or hiring of under-utilised All India Radio studios will
enable the private radio operators to reduce their capital costs
and at the same time, result in revenues for AIR. Therefore, the
Government should consider removing this restriction.
Restrictions
on lease of channel time:
If a private operator has idle channel time because it does not
have adequate programming, the operator should be allowed to lease
out the idle time. At the same time, in the interests of the industry,
the Government should ensure that private operators do not get into
the business of resale of channel time.
Reduction
of import duties
Given the fact that the business is capital intensive, the Government
could assist the private operators by reducing import duties on
transmitters, studio equipment, etc, thereby reducing the capital
costs
LIVE
ENTERTAINMENT AND EVENT MANAGEMENT
The live entertainment
and event management segment has grown from a miniscule size of
about Rs 20 million a decade ago to the present size of Rs 1.5 billion.
With corporates increasingly using events to communicate with their
target consumers and the rising popularity of live entertainment
events, the segment is poised to grow rapidly. According to industry
sources, the segment is expected to reach a size of about Rs 11
billion by Financial Year 2005, which translates to a growth rate
of about 50 per cent per annum. However, the segment faces several
hurdles as outlined below. Clearing these would give a strong impetus
to growth and enable the industry to move towards global standards.
Rationalisation
of taxes:
Rationalisation of the tax regulations as suggested below will enable
the players to invest substantially in infrastructure and expansion
of operations.
Entertainment
tax:
The entertainment tax in India is much higher than in other Asian
countries. Besides, the level and nature of taxation also varies
from state to state. The Government should reduce and standardise
entertainment tax across states.
Income tax:
India has complicated income tax regulations for international artists.
If India has to become a popular destination for international artists,
the income tax regulations should be made as unequivocal and artist-friendly
as possible.
Duties on
imports:
Relaxation in duties on imports of sophisticated lighting and special
effects equipment would assist the event management companies in
getting access to better quality infrastructure which, in turn,
would result in better quality events and more revenues.
Single-window
clearance:
At present, for an international event, numerous clearances are
required to be taken from various agencies. The Government can streamline
the approval process by instituting a single-window clearance procedure.
Establishment
of industry forum:
Unlike in the US, the Indian event management industry does not
have a forum or a self-regulatory body. Establishment of an industry
forum or association will assist the industry players in tackling
their problems collectively and taking growth-enabling measures.
Corporatisation:
But for the few large players, most of the companies in the industry
are non-corporate entities. Corporatisation and institution of clear
and transparent accounting policies would enhance the reputation
of these companies. This would also be necessary from the viewpoint
of future fund-raising for scaling-up operations, whether from the
capital markets or from private equity investors.
Exhibition
infrastructure:
There is a lack of adequate exhibition infrastructure in India for
staging of events. Events are held in sports grounds, etc, which
are not meant for this purpose. There is clearly a need to build
exhibition infrastructure specifically for such events.
Macro
Analyses
Essentially,
the overall success of the entertainment industry is largely dependent
upon the revenues earned from advertisements, sponsorships, ticket
sales and subscription revenues. The Indian advertising industry
has shown strong growth in the recent past. This was facilitated
by strong domestic economic growth and liberalisation, which resulted
in the introduction of competition for several products and services.
With more sectoral deregulation anticipated and increased competition,
it is expected that advertising expenditure will grow at a healthy
clip.
For similar reasons, the sponsorship market is expected to grow
substantially. By all estimates, the numbers in the subscription
market are exciting and due to current penetration levels, strong
growth potential exists. In the global economy, a countrys
total advertising expenditure and its Gross Domestic Product (GDP)
have a strong positive correlation. In India, the ratio of advertising
expenditure to GDP is about 0.4 per cent. This is quite low in comparison
to the developed economies. As the Indian economy develops, its
advertising expenditure to GDP ratio is expected to increase to
0.5 per cent of its GDP over the next 5 years.
Further, internationally,
the average share of print media in the total advertising expenditure
is about 45 per cent. Currently, in India, the share of print media
in total advertising expenditure is as high as 55 per cent. This
is expected to come down to international levels as the penetration
levels of other media increases. Therefore, the advertising revenues
accruing to non-print media will increase over the next few years.
This will result in healthy growth of the entertainment industry.
Currently,
the industry size can be conservatively estimated at about Rs 96
billion. This is estimated to grow to about Rs 286 billion by Financial
Year 2005.
Conclusion
In conclusion,
the Indian entertainment industrys immense potential for growth
is very evident. The ingredients for success are present but the
growth drivers need to be enabled by the Government and the industry
through implementation of the various regulatory and policy measures
suggested in this report. The industry will then be able to realise
its dreams of becoming globally competitive and establish the country
as a significant player in the global entertainment industry.
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