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Music
rights as part of package deals is a positive trend, say industry
experts
The
larger benefit is that music companies can use the producers
brand name and the producer himself is assured of a secure
business .
- Vashu Bhagnani
Ever wondered why music companies have been buying music rights
as part of packaged deals? While Universal acquired the music
rights to a set of Bharat Shahs movies for an undisclosed
amount, Saregama decided to pick up five movies to be produced
by Vashu Bhagnani for an unprecedented Rs 25 crore. The question
being asked is what does this mean for the film music industry?
Has this set in motion a trend whereby music rights for movies
will henceforth be sold as a package? Yes, thinks Shridhar
Subramaniam, director-marketing, Sony Music. "It is the
clear start to producers becoming organised mini production
companies," he says. The advantage, he explains, is that
producers will get funding upfront and will be able to work
on several projects at one time.
For the music company, clearly the advantage lies in the fact
that they can negotiate the best possible rates. Subramaniam
predicts that there will be a transformation from the concept
of home banners to full fledged corporate banners. This gains
significance in the wake of production houses being listed
and several of them at various stages of planning their public
issue. Vashu Bhagnanis Puja Entertainment is one such
case. "Our deal with Saregama has worked well for both
the parties," says Bhagnani. He says deals of this nature
will only pave the way for a stable long-term relationship
between the music company and the producer. "The larger
benefit is that music companies can use the producers
brand name and the producer himself is assured of a secure
business," he adds. According to a media analyst, film
producers have always had relationships with music companies.
He cites the cases of Yash Chopra with HMV and Subhash Ghai
with Tips. "The advantage in a package deal is that it
reduces the inherent volatility in the business and makes
long- term relationships possible." he adds.
Says Harish Dayani, executive director, Saregama India, "I
do not see a clear trend emerging." On the deal with
Vashu Bhagnani, he explains it was mutually beneficial and
his company was open to more deals of this nature. While pointing
out to the risk factor, he says the objective is to balance
it out. "Eventually, it is a question of speed, quality
and delivery," he adds. Some industry observers, however,
believe things are not as easy as that. While admitting that
investment planning, scheduling and date fixing become easier,
they remain sceptical about the deal lasting out. "The
advantage lies with the producer," they say. While it
remains to be seen whether the trend lasts in the long run,
the net fallout of packaged music buys is undoubtedly the
fact that these deals will play a substantial role in the
corporatisation of the film industry.
Krishna
Gopalan
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