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Short Takes

Screen - The Business of entertainment

 


LIKE PAPA LIKE SON

IT’S official now. Shah Rukh Khan’s little moppet of a son, ARYAN’s turn to face the arclights is here. And the opportunity, it goes without saying, has come to him unsought.
The little darling is to play a significant, one-scene role in Papa’s pal, Karan Johar’s opus in the making, Kabhi Khushi Kabhi Gham. Guess what the role is? Why, the young Shah Rukh, of course.
There’s no dearth of big names on the credits — boasting as it does of the Bachchans, Amitabh and Jaya, Shah Rukh Khan, Hrithik Roshan, Kajol and Kareena Kapoor. But Aryan’s presence should add to the film’s curiosity value, don’t you agree?

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WHO’S AFRAID OF FIRE?

NANDITA DAS, to her utter chagrin, still finds herself having to answer queries related to her role in Deepa Mehta’s Fire. Four of her more recent movies may be showing in theatres across the country — Deviri (Kannada), Ek Alag Mausam and Bhawander (Hindi) and Vishwaprakash (Oriya), but people still remember her more for her four-year-old movie. “God knows why people keep harking back to Fire. There was nothing meriting controversy in the film, but a handful of people were set on muck-raking. People keep asking me all sorts of questions with regard to the movie, such as whether lesbianism actually exists in our country. I, for one, have become more sensitive after the release of Fire,” she says.
Well, Fire isn’t the only reason she’s embroiled in controversy. She also gets asked why on earth she’s consented to act in a Jagmohan Mundra film (Bhawander) knowing his penchant for erotic movies. Nandita confesses she indeed was apprehensive about signing up, but that Mundra coaxed her into seeing reason. “After all, Bhawander exposes our corrupt society and deals with a real life incident — about politicians and the cops suppressing the story of gangrape of a low caste married woman. Issues such as child marriage and rape need to be dealt with in cinema with sensitivity. And that’s what Bhawander has done,” she clarifies.
Incidentally, Deviri, her other recent movie, has completed a 70-day run at Karnataka theatres, and also found an entry at the Cairo Fest. The film is to be released in Egypt on persistent demand from distributors. The slums depicted in the film may have been Indian, but clearly, the problems it highlights are universal. Those keen on throwing mud at Nandita would be better advised to take a look at the kind of thought-provoking films she’s done in recent times. So what if they’re disturbing? Isn’t real life disturbing, too?

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THE CHOTTA JACKSON

HE’S all of nine years old, but, would you believe it, the diehard Michael Jackson fan already has more than 900 stage-shows under his belt. MASTER HONEY, who made his big screen debut with the Salman-Rani starrer Kahin Pyar Na Ho Jaaye, is already a big hit with leading artistes like Salman Khan and Jackie Shroff. Not for nothing, for his pranks on the sets often have them in splits.
The talented wonderkid was all of five years old when he started on his first dance lessons. The parents were so “startled” by his predilection to break into a jig at every given opportunity that they got him enrolled into formal dance classes. And soon, his talent had the family shifting base to Mumbai.
His dances and mimicry have been a hit with stageshow buffs in the US, UK, Germany and France. Now, his second film, One Two Ka Four is all set for release. So, what’s his ultimate ambition? Prompt comes the response: “To become another hero like Uncles Salman and Jackie.”

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FIXTURES AT THE PAGEANT

NOW that PRIYANKA CHOPRA has been crowned Ms World, couturiers Hemant Trivedi and Sheetal Design Studio can take some share in the credit again. Her exquisite, warm peach evening gown with a dash of silver and crystal was designed by them, as in fact was the rest of her onstage wardrobe. The team of Trivedi and SDS has earlier dressed up previous pageant winners like Aishwarya Rai, Diana Hayden Yukta Mookhey and Lara Dutta.
Dolling up Chopra isn’t the only creditable achievement for the team, though. This year was the 50th anniversary of the Ms World pageant, and the team was called on to create as many as 96 special golden ensembles for all contestants. Trivedi was chosen ahead of seven other international couturiers who were shortlisted for the purpose. So, all said and done, the Trivedi-SDS team appears all set to become a fixture of sorts at the Ms World pageant. And as long as their clients keep coming trumps, noone’s likely to be complaining.

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NOW TO DO A CHAPLIN!

FOR those who thought DILIP KUMAR’s tired of the spotlight, the veteran has a pleasant surprise coming up. No, it isn’t another comeback as actor, a la Saudagar and Shakti. Neither is it another attempt at making a film.
So what’s the Last Emperor up to, do you think? Well, writing, of all things. Or, to put it more accurately, he’s been recording his memoirs on tape, which another’s been transcribing. Dilip Kumar reckons he has a lot to say that’s interesting, even arresting. “The life of Yusuf Khan may turn out to be more interesting than that of Dilip Kumar,” he dares say, adding, “If you’ve read Charlie Chaplin’s autobiography, you’d know what I mean.”

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AAMIR BAN GAYA BUSINESSMAN

IN these days of corporatisation and brand ambassadorship, no artiste worth his salt would want to miss out on an investment opportunity. The medium may be artistic, but consolidating one’s financial base is tops on every artiste’s mind. So, every now and then, we have an Ajay Devgan floating his company and distribution concern, or a Shah Rukh Khan pumping his hard-earned money into a software production house or website.
Now, even the cautious, safety-first AAMIR KHAN, seems about to jump aboard the bandwagon, too. On his mind are plans to turn distributor early next year, with home production, Lagaan. As if to test the waters, the Khan proposes to take on Mumbai territory only. So what’s next Aamir? A private limited outfit?

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A SARTORIAL STATEMENT

HIS film Utsab, the tale of family reunion centred around Durga Pooja, was the toast of Mumbai’s MAMI fest. But RITUPARNO GHOSH couldn’t make it in time to introduce his film to the audience at Tata Theatre.Two Ghosh movies were screened at the fest, the other being Bariwali.

Nattily dressed as always, Ghosh made up for his absence at the Utsab screening, turning up ahead of time at the Chauraha — the fest’s interactive event.

Ghosh, who edits the Bengali mag, Anandalok when he isn’t making national award-winning movies, hailed the growing film fest culture in the country. “Filmmakers should participate in more such fests, where they not only find great audiences, but also get opportunities to interact with filmfolk of other countries,” he said.

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SIGNING UP FOR THE VEG REVOLUTION

SO, our man on the cover, last week, AMITABH BACHCHAN, could well be the next legend, after Martina Navratilova and Sir Paul Mcartney, to promote a veggie revolution on behalf of the animals right outfit, People for the Ethical Treatment of Animals (PETA).
Preparations are currently underway for the ad to be released early next year. Though PETA’s India representative hints that the legend chosen for the campaign “could be Amitabh, Hema Malini or Pandit Ravi Shankar, all of whom are confirmed vegetarians,” the Big B, it appears, is the first among equals. Among other Indian celebrities who’re self-confessed veggies are the likes of Juhi Chawla, Mahima Chowdhury and cricketer Anil Kumble. So PETA isn’t really faced with a paucity of choices in selecting the celeb to launch the India leg of the veg revolution.
In the recently launched ad in the series, Sir Paul feeds a lamb from a milk bottle. “The best idea — going vegetarian - is staring us right in the face. Go veggie,” he says. The sight of lambs playing in a nearby field at his home in Scotland, one afternoon, helped him realise he could no longer eat them. “If slaughterhouses had glass walls, every one would be vegetarian. I feel better about myself and better about the animals knowing I’m not contributing to their pain,” he adds.

 

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THE DUS CRORE QUESTION

HE went through an ordeal, trying to put together his first film as producer. The NRI who’d consented to fund the movie developed cold feet, and ANUPAM KHER’s own production house was in shambles, financially. The original budget was Rs 30 lakh, but the total costs worked up to Rs 35 lakh. Kher had to sell a car to meet payment deadlines while production was on, and when even that didn’t suffice to wrap up the shoots, his employees chipped in with handsome contributions of their own. “Good films aren’t made without passion. And when you’re gripped by the passion, you can’t rest till the film’s complete and the passion’s spent,” says Kher.

Happily for the Khers, it now finally seems to be payback time. Wife KIRON won the national best actress for her performance in the film, which has also been the toast of the international film fest circuit. It’s even been scheduled for an early release in Calcutta and Mumbai, and negotiations for the satellite and overseas rights are in progress.

Speaking at Chauraha, an interactive forum held in Mumbai, last week, the Khers already hinted at a second production. An immediate launch seems unlikely, though, tied up as they are with other pressing commitments — Anupam with the Sawaal Dus Crore Ka show for Zee and his many roles and Kiron with Mahesh Manjrekar’s Ehsaas and a film with Priyadarshan. Besides, they’re yet to run into an engaging enough story. “We’ve been reading a lot of scripts, lately. Sadly, none of it’s been inspiring. It isn’t enough that we find a script to match Bariwali, our next one will have to be even better,” says Anupam.

So when will Bariwali Act II roll, did we hear you ask? Well, make that the sawaal dus crore ka.


Shaju George Alex
With inputs from Ayyappa Prasad & Shoma A Chatterjee.

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