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To pay or not to pay
As against pay channels,
free to air channels hold better equation with the cable operators
as well as the audience. Better numbers, innovative
programming and good ratings are aimed at achieving effective
ways to make money and also to stay in the rat race. This
attitude also generates good and interesting programs for
the viewers. But again, the advertisement
revenue has its limitations
The
invasion of satellite channels also brought distinction of
attributes between analogue/digital channels and free to air/pay
channels. In India, free to air satellite channels have always
lured the viewers, and therefore the cable operators, simply
because Indians do not like to shell out money for home entertainment.
A rise in monthly subscriptions, however minuscule, always
creates uproar and protests from the viewers as well as the
cable operators for the simple reason that it is the cable
operator who has to face the wrath of his subscribers directly,
not the pay channel. In any case, presently, the amount charged
by the pay channels in India is peanuts and does not contribute
to generating major revenue as compared to the size of the
market.
Also, the amount charged by the channels is very minimal,
especially if compared to the charges overseas. In USA, viewers
have to shell out $35 for three Indian channels and for two
additional ones, it is another $20. This translates to roughly
Rs. 2,500. Whereas in India, viewers cry foul even if they
have to pay Rs. 10 more for one extra channel. Take the case
of STAR TV increasing its subscription rates. They did win
to a certain extent, but cable operators banned STAR for quite
some time.
A compromise was reached eventually, but STAR is still losing
a substantial amount due to incomplete declaration of the
number of subscribers. To top it, the charges by STAR are
still not substantial enough. Resistance to pay channels by
cable operators became more vocal and strong when they banned
the telecast of DD Sports inspite of strong protests from
the viewers and pressure of Government agencies.
However, more and more channels are going pay. The lure is
a bouquet, but most of the time this structure is accepted
only if the channel has made strong inroads into the viewers
homes and the audience is already hooked to them. Still, the
charges have to be kept affordable.
The objective is to reach a subscriber mass with tight budgets
and controlled costs, still, in the end, forcing a channel
to depend on its ad revenue to form the support of its financial
structure. HBO, the channel which prefers to telecast back
to back movies all over the world, is using commercials to
substantiate its revenue, simply because subscription rates
were not significant.
Interestingly, just last week, the Andhra Pradesh High Court
has delivered a short injunction restraining all the pay channels
from charging subscription fees for the channels that consumers
do not want. This, once again, stresses the fact that the
failure of the technological application to achieve addressibility
at the consumers end is most essential for smooth and
accurate revenue generation of pay channels.
As against pay channels, free to air channels hold better
equation with the cable operators as well as the audience.
Better numbers, innovative programming and good ratings are
aimed at achieving effective ways to make money and also to
stay in the rat race. This attitude also generates good and
interesting programs for the viewers. But again, the advertisement
revenue has its limitations.
In the end, it is the numbers that are churned out by various
agencies like TAM and INTAM that become one of the major deciding
factors in capturing the maximum ad share from the market
- whether it is a pay channel or a free to air one. So the
bottom line is: Stay on your toes and be the first one to
come out with innovative ideas to create programmes with mass
appeal. Only then, one can end up with better results and
full pockets. Finally, however, it is viewer who continues
to be the king.
Pradeep Dixit, CEO, ETC Channel
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