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International
Screen - The Business of entertainment
HOLLOW
MAN


Paul Verhoeven directs this thriller about an arrogant doctor who discovers a serum to make a living being invisible. Kevin Bacon and Elisabeth Shue star.
SPACE
COWBOYS

A science fiction
starring Clint Eastwood as a retired air-force pilot who is recruited to retrieve
a malfunctioning satellite.

THE
REPLACEMENTS

Keanu Reeves and Gene Hackman star in this comic-drama set against the backdrop of a football field.

AUTUMN IN
NEW YORK


Richard Gere and Winona Ryder star in lovestory, in which Gere plays a playboy with a persistent case of commitment-phobia, till he meets Ryder.


SHANGHAI NOON :
Yankee Chan and the princess

Jackie Chan’s dream of acting in a Western was fulfilled with this film. Here you have him riding a horse and firing shots from his gun just like the cowboys...

The Wild West meets the Far East in Shangahi Noon, in which a Chinese Imperial Guard Chon Wang (Jackie Chan) comes to America to rescue Princess Pei Pei (Lucy Liu) who has been kidnapped. He has for help a partner he doesn’t trust (Owen Wilson), a wife he didn’t expect (Brandon Merrill), a horse with a personality of its own, and martial arts moves no one can believe. With the above aids, Chon finds himself facing some of the deadliest gun-slingers.

The film marks the feature film directorial debut of Tom Dey, who is a successful director of television commercials. Dey was attracted to the originality of the story. Says he, “From the first page of the screenplay it was visually very exciting with great possibilities for the characters.”

For Dey, the film was an opportunity to create multiple worlds for the audience, including The Forbidden City in China, a Native American village, a Chinese railroad camp, a Western town and an old steam engine train, among others. The director set out with a very focussed concept of what he intended to achieve with this film. “Visually, it was very important to me to paint as large a canvas as possible, as well as give the film a realistic look,” Dey explains, “The anamorphic (wide-screen) format also gives the picture a big movie feel reminiscent of classic Westerns.”

The concept of Shanghai Noon took root during the shooting of the Jackie Chan hit Rush Hour. Producers Roger Birnbaum and Jonathan Glickman were discussing with Jackie ideas for other projects, and Chan came up with a story that eventually became Shanghai Noon. The producers were instantly attracted to the idea of Jackie Chan in the Old West. “Jackie turning all of the Western icons upside down. I thought it was a great idea,” they say, “He is a remarkable physical comedian and we imagined a Buster Keaton type of comedy set in the Old West.”

Chan, on his part, was quite passionate about the story. And when producer Birnbaum expressed interest in his story, it was a dream come true for the international star. Says Chan, “I had written a draft in Hong Kong, but it was totally Asian. The American writers made it into a true Western. I have to admit, I knew very little about the West and Native Americans.”

The actor was always a fan of the western movie genre. “Being a cowboy and living the cowboy life was always my dream,” he says, “When I was a very little boy, I dressed up and had my picture taken as a cowboy. I think that the way they look is so interesting and after making this movie I now understand why they wore boots and chaps, the hats and the bandanas. Everyday on the set I found my dreams of being a cowboy coming true.”

The audiences worldwide love Chan’s humour and vulnerability, feels producer Birnbaum. “They respond to his humanity. He can be very funny and extremely physical, but when you look into his eyes, you know that there is a really good man in there. He’s genuinely a warm and giving man and it shows on screen,” says the producer.

Chan’s filmmaking skills were a big help, especially his choreography of the action sequences, besides his suggestions to first-time director Dey. Lucy Liu, who plays Princess Pei Pei, is all praise for Chan’s generosity. She’s his big fan and has watched many of his films. Says she, “Jackie is a master at physical comedy. I pretty much jumped at the chance to work with him.”

For Shanghai Noon, Chan had to learn horse-riding, which wasn’t a part of his repertoire earlier. “I was afraid of horses before Shanghai Noon,” the actor reveals, “I would pet them but not ride them because I was always afraid that I would be thrown off the horse. But after 10 days of lessons, I knew that I could control the horse, and wanted to find out how to get the horse up on its back legs like ‘The Lone Ranger’.”

This action-adventure was released at the same time as the Tom Cruise-starrer Mission Impossible 2, and it proved tough competition for the eagerly awaited and much-hyped sequel.


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