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International
Screen - The Business of entertainment
HOLLOW
MAN


Paul Verhoeven directs this thriller about an arrogant doctor who discovers a serum to make a living being invisible. Kevin Bacon and Elisabeth Shue star.
SPACE
COWBOYS

A science fiction
starring Clint Eastwood as a retired air-force pilot who is recruited to retrieve
a malfunctioning satellite.

THE
REPLACEMENTS

Keanu Reeves and Gene Hackman star in this comic-drama set against the backdrop of a football field.

AUTUMN IN
NEW YORK


Richard Gere and Winona Ryder star in lovestory, in which Gere plays a playboy with a persistent case of commitment-phobia, till he meets Ryder.


Violence, not sex, turns French Minister off film


The French may have lost all inhibitions about sex on the silver screen, but an orgy of raw violence in films has got the country’s culture minister deeply worried. France’s artists and chic left wing have been howling “censorship!” after Screw Me — 76 low-budget minutes of hardcore sex and murder — was effectively banned this month and removed from cinemas around the country. Its scenes of two angry young women driving around France, killing men after pick-up sex, or suffering violent rapes, were a statement about society’s violence against women, they argued.

The fact it was branded pornographic after complaints by a far-right group and a Catholic family association, added fuel to the fire, prompting defenders to issue dire warnings about a return to Puritanism in France.

But much of the heat generated by the movie, entitled Baise moi in French and sometimes called Rape Me in English, misses the worrying trend that its in-your-face scenes highlight, according to Culture Minister Catherine Tasca. “There are sex scenes that are totally crude, but that doesn’t shock many people these days,” she said, “But almost every sex act ends with the partner getting murdered. That’s no way to live!”

Some reviewers thought it was no way to make interesting movies, either. The U.S. entertainment daily Variety dismissed Screw Me as “a half-baked, punk-inflected porn odyssey masquerading as a movie worth seeing and talking about.”

Acting on complaints from the two “pro-family” groups, France’s highest administrative court viewed the film, and reversed the Culture Ministry’s original decision to release the film for viewers who are 16 and over. By re-rating it as an X film, the State Council effectively banned Screw Me from public showing in France after only a few days and consigned it, in Tasca’s words, to “economic burial.”

Under French law, X-rated films can only be shown in “adult cinemas.” But this once-thriving business has disappeared in the past decade, now that home videos and the Internet give French viewers all the hardcore pornography they want. Torn between her opposition to censorship and the state’s duty to protect minors, Tasca — a 58-year-old Socialist, long active in cultural politics — has decided to add a new category to the system of ‘visas’ all films need to be shown in France. The ‘visa’ system currently classifies films for 13 and above, 16 and above, or X, leaving no option of banning a film for all minors. Tasca plans to add a new category for viewers who are 18 and over, meaning the film could be back in the cinemas in a few months. “I have real reservations about these violent images,” Tasca said, noting that she sometimes heard the argument that reality was actually worse than the violence seen on the screen, “It’s one thing to see mass graves in Kosovo on the evening news. It’s terrible, but that’s the reality of our planet. It’s another thing to see it in fiction with heroes that some people look up to.”

The film’s co-director Virginie Despentes, who wrote the book the movie is based on, rejected the idea of any limits. “We’re allowed to be radical or outraged when we make films, it’s a question of freedom of expression,” she told the daily Le Monde, “As an author, I can’t accept any censorship except that which I impose myself.”

If the insatiably curious in France cannot wait for Screw Me to re-appear, they can drive across the border to Belgium, where it has been released. Belgium has only two film categories — “children admitted” and “children not admitted” — with 16 being the pivotal age.

Britain and about a dozen other countries are reportedly also interested in distribution rights for the film.


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