




The film is narrated in a flashback. Diti’s (Rituparna) daughter is singing the title-song by Lata Mangeshkar at a school function. A Catholic priest (Firdaus) fills in the lines when she forgets them somewhere along the way. Her mother, who did not attend the function, is surprised to learn about the priest who knew the lines of her song as a young girl she sang along with Akash, her childhood friend. The film moves into flashback to narrate an age-old, hackneyed story about Akash who loves Diti but she does not love him. She falls in love with the village doctor Diganto (Amitavo Bhattacharya) and becomes pregnant. Diganto, not knowing that Akash is in love with Diti, asks him to propose to Diti’s father on his behalf. On the day of the wedding, however, the villains of the village drown him in the river. Diti is told that it was Akash who murdered Diganto because he could not marry Diti himself. Diti, forced to marry Akash, hates him and accuses him of killing her husband. He leaves her to become a Catholic priest. Diganto surfaces some years later and clears the tainted name of Akash. The husband, wife and daughter live a contented life but for the sad fact that they cannot locate Akash to ask for his forgiveness.
Technical Expertise
From the first frame to the last, everything about this film reeks of amateurishness. The storyline, though hackneyed, could have been narrated in a cohesive manner. It loses focus every now and then with digressions that do not belong to the main story. Even Lataji’s much-hyped comeback to Bengali film songs is neither filmed well, nor is set to good music, nor sounds good even in repetition. The acting, including that of ace performers like Rituparna Sengupta and Soumitra Chatterjee, leaves much room for improvement. Firdaus has put on a lot of weight and his jazzy fashion statements do not quite jell with the village scenario as well as his unemployed status. His acting is as unpolished as it always is. Soumitra Chatterjee looks distinctly uncomfortable as Diti’s father. The camerawork and editing is patchy to an extreme. The only saving grace in the entire film is Amitavo Bhattacharjee’s restrained performance in a well-written role.
Verdict
His acting is the sole star this film deserves.