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Mix-o-mania

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NavdeepSandhu Posted: Aug 04, 2008 at 1119 hrs IST
Old wine new bottle’ syndrome...that, ladies and gentlemen, is how they describe the remix culture. Old songs, new songs, foreign songs...all are being served on a remixed platter. And DJs and music composers have found quite an audience. In fact, the race to dig the film archives for the most saleable ‘melodies’ has become so hot that we think ‘Save the Environment’ brigade will hunt ‘remixers’ soon. And by now we all know the older the wine the better! The ‘90s hiked this trend of making easy moolah — pick up old tracks, change the beats, shoot the video with scantily dressed sexy models (aren’t there always takers for that?) and your spiced up buffet is ready. Many small- time models found their ticket to fame through the videos, remember the girls that grooved to kanta laga, kaliyon ka chaman, koi sehri babu? Criticise them you may, there’s no denying the fact that remixes bring alive a club. “Remixes are really popular among the young generation, and why shouldn’t they be? The songs are something they are faintly familiar with and the music their own,” defends DJ Sameer, who plays at Lyon’s. We know Gen-Now loves the mix but whatever happened to originality in art? “Isn’t remixing an art? You take vocals, the original tune and give it a feel of the present. Remixing a track requires immense creativity and inputs in terms of special effects, new rhythm and tone. With the kind of time and effort that goes into creating one remix track, it’s not at all an easy deal.”

Fusion of Western and Indian tracks is another rage, blurring the fine line between remixes and originals. DJ Aqeel, DJ Suketu, Bombay Vikings, Shankar-Ehsaan Loy trio, and Bally Sagoo to name a few, have all had their share of being the remix kings. While the fight for the crown is witnessing newer contenders everyday, there are those pulling them down from the ladder. Their war-cry? ‘Have some respect for the classics please!’ And within the DJing cult there are those who agree. DJ Sanj believes there is no fun in doing something that has already been done. “I did remixes back in the ‘90s but after a point I did not find it challenging anymore. I do not want to put my label on somebody else’s creativity and hard work.”

Remixing today has taken a time leap. Within days of the release of a film you have remixes of its songs ready. So much so that one can’t make out the original from the remix. This new trend of remixing has annoyed quite a few. DJ Sukhmani, who plays as a guest DJ across clubs is one of them. “Remixing should mean adding a different flavour. But these days it is hard to point out the real track. Original songs lose their charm. Remixes don’t last.” That’s why the lady sticks to non-commercial and Punjabi hip-hop when she plays in clubs. But there is an upside to remixing that she does not deny. “Many old songs have been revived through remixes which were otherwise forgotten. But it’s re-arranging that works better for it’s an art, not all can bring out the best of the original keeping the aura of the old.” Rewind please. Now what is ‘re-arranging’? DJ Vishal, who works for Studio 69, clears the air, “Most DJs don’t know the difference between remixing and re-arranging. To put it simply, remixing changes the beat or the tempo while re-arranging gives a unique flavour to the track, it changes the nature of the sync.” Vishal defends remixing, and also agrees that untrained DJs screw it up. “Having learnt music professionally I can say that there’s a whole science behind remixing, about sounds, music etc. DJing needs proper education clubbed with creativity. When you have that it shows in your work.”

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