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'I refrain from showing any sensational scenes'

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Premankur Biswas Posted: Nov 04, 2008 at 1041 hrs IST
When the word first began to circulate across cyberworld in early 2005 about India’s “first gay film”, Onir was a name not many of us were familiar with. However, the young director from Kolkata had enough conviction to rope in the likes of Juhi Chawla and Karan Johar for his debut film, My Brother Nikhil.

Today, My Brother Nikhil has a cult following and Onir is a filmmaker of considerable repute in the industry. Yet, he feels he has a lot to prove with his next film ‘Sorry Bhai’. “This film is very different from my earlier two films. Bas Ek Pal was a very dark film. Sorry Bhai belongs to a different genre. It’s a romantic comedy, a genre which I feel is not very easy to handle,” says Onir.

‘Sorry Bhai’, which releases later this month has the director’s favourite Sanjay Suri as a part of an ensemble cast which includes names like Shabana Azmi, Boman Irani, Sharman Joshi and Chitrangadha Singh.

“It is about a guy who is irresistibly drawn to his brother’s fiancee. It tackles the concept of forbidden love in a contemporary, progressive manner,” says Onir. Very much like the way the gay relationship was treated in his debut film, My Brother Nihil. But wasn’t he afraid of being tagged as a “gay filmmaker’? “Not at all. All I wanted to do was make a film about relationships,” he says.

As sensitive as his handling of the gay relationship in the film was, Onir was not spared criticism. “People felt I played it safe by not showing any kind of physical intimacy between my characters. But my focus was on their rapport and the emotional bond they shared. Had I shown two guys kissing on screen, the film would have been in news for all the wrong reasons. Even in ‘Sorry Bhai’ I try and refrain from showing any sensational scene,” he states.

Which brings us back to the film which is also being touted as Chitrangadha Singh’s comeback film. “I keep asking her why did she agree to do my film when so many other directors were dying to work with her,” he laughs. But he agrees that it was a pleasure to work with her. “She brings a different kind of sensibility to a film. She is very urban yet Indian,” he says.

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