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Doshta Dosh

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Shoma A. Chatterji Posted: Dec 05, 2008 at 1418 hrs IST
Fun with a few flaws
Durga Prasad (Soumitra Chatterjee) has one dream. He wants to become a mafia don like Dawood Ibrahim and worships the ground the don walks on. However, he is too emotional and amateurish to be able to carry his dreams much far, thanks to his two main cronies who queer the pitch for him every time. Durga Prasad collects books like And Quiet Flows The Don taking it to be a detailed description of a don’s strategy of fleeing when chased. He has another weakness. It is his beautiful daughter Ranjita (Aparajita Ghosh Das) who does not like her father’s profession and is embarrassed by it. One fine morning, Durga Prasad, who deals only in cash, asks his crony Montu (Kanchan Mullick) to pay his thumping cell-phone bill of Rs.50, 000. Montu pays the bill, but by mistake, with one digit changed. This cell-phone number belongs to Apratim (Subrata Dutt), a struggling actor in love with Ranjita. When Durga Prasad realises that his bill has been paid to a wrong number, he blows a fuse and begins to chase Apratim for the money. All hell breaks loose when Durga Prasad meets his arc rival, the other don, Muktadhara (Padmanabha Dasgupta). Everything ends on a happy note. Durga Prasad wakes up at 10:10 in the morning to discover that he was dreaming about becoming the biggest don in Kolkata. He summons Montu and asks him to pay his cell-phone bill….

Technical Expertise
Doshta Dosh (10:10) is a fun film that marks debut director Arin Paul’s natural flair for the comic and the funny. He has the knack of feeling the pulse of entertainment. But the film suffers from major teething troubles. The characterization of Ranjita’s peer group is half-baked. The youngsters can neither act nor have screen presence. Soumitra Chatterjee steals the show with a character that goes totally against his grain. Subrata Dutt, Ranjita and Padmanabha are very good. Some of the dialogues send you into splits. The film’s sore points - the character of the Polish-German journalist (Claudia Siesla) is superfluous while the “item” number is disastrous in terms of execution, choreography, picturisation and positioning; the girl’s performance is a poor apology for any dance and finally, the editing is erratic. Basab Mullick’s cinematography holds promise. Ditto for Drono Acharya’s music score. And pray what was Parambrato doing at the discotheque? Arin can hopefully get over his teething troubles in his next film.

Verdict
Doshta Dosh deserves two stars; one for Soumitra Chatterjee’s and Subrat Dutta’s acting and one for the dialogues.

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