Screenindia : Movies
PopularNews
Most Emailed Articles
Most Read Articles

Jodhaa Akbar(Hindi)

-A +A
Font
Deepa Karmalkar Posted: Feb 22, 2008 at 1244 hrs IST
Creative Quotient
Of course you walk into “epic romance” wanting to love it completely and absolutely. As the rich tapestry of Moghul empire unfolds before you in Bachchan Senior’s rich baritone, a perfect mood is set for the historical. And just when all your doubts about Jodhaa Akbar joining the pantheon of classic cinema are vanishing, the narrative takes you into the brutal battlefields where King Hemu is captured and beheaded before a horrified, pubescent Jalaluddin (the same as Akbar). It’s almost after 15 minutes of bloodied war that you catch first sight of the handsome Jalal (Hrithik). He bears the weight of his armour and traditional attire rather effortlessly. Turns out that young Jalal is a benevolent and secular king. Then begin the superficial connivance and the tales of political intrigue. All of these lack conviction and depth. By the time weariness sets in, princess Jodhaa bursts on the screen, slashing the air seductively with her sword. Lithe and lissome, Aishwarya lives the part.
Mind you, she’s not the one to be herded behind the purdah, for the spirited young heiress is full of pride. To her credit, she is not swayed either by grandeur of her Moghul suitor or by the base in-harem plotting by the sovereign’s evil foster mom, Mahamanga (Ila Arun). The lady holds her own and demands of her political fiance Jalal that she be allowed to practise her own religion and the Emperor complies. Thus begins the love story. Stolen glances, knowing smiles and fleeting, touching hands but when the night falls, a gossamer curtain falls between the two! Jodhaa insists that they must fall in love before they can get intimate. The courting continues. And at the court Jalal is seen as the King of the people and they even give him the title of Akbar. Which incidentally means - The Great and The Magnificent, something that Gowariker doesn’t spell out for the viewers.

The plot derived from historical accounts and then cinematically adapted is much a figment of writer Haidar Ali’s imagination, which sadly isn’t very dynamic. And that’s the undoing of the film at large. Ali hasn’t been able to establish the dramatise personae - for instance, Akbar’s treacherous brother-in-law Sharifuddin and the dai’s wastrel son are confusingly similar. And please, where were Akbar’s fabled Navratnas including Birbal and Tansen? Only if the court drama was more meaningful, the characters more clearly etched, Akbar’s heroism was played up on the intellectual front rather than in never-ending hand-to-hand combats, it could have been the epic it was meant to be.

Technical Expertise
This royal saga is low on rhetoric as well as memorable lines or ‘dialogues’ and writer K P Saxena misses to score on an opportunity this big. But it makes up with it’s magnificent pageantry whenever shot on location. Emperor Akbar visiting Amer fort to pacify his Begum Jodhaa made for a stunning visual. Really, kudos to the entire team for recreating the magical grandeur of Moghul era.
Ravi Dewan’s action is spectacular. The film is worth a watch for Akbar’s taming the rogue elephant sequence. The sword fight between Jodhaa and Akbar is a visual treat. The battle scenes are shot and planned meticulously. Kiran Deohans’ cinematography is stunning, he captures the mystery of the forts and palaces very well.
A R Rehman’s music grows on you, and we wish there were more songs. The Khawja mere song and dance is captivating and even in one swirl that Hrithik takes as Akbar, he enthralls completely. Aishwarya encapsulates the fragile beauty and steely strength of the Rajput princess convincingly. Sonu Sood as Jodhaa’s betrayed cousin is a surprise package. As he springs on the horseback, he embodies the Rajput bravado.
Ashutosh Gowariker’s intent and technical expertise cannot be faulted. Only if he had let Ballu Saluja, the editor,.use his skills better and not stretched the climax duel so long as to try the viewer’s patience, this could have been truly a path-breaking film. Whether the film will spawn more in this genre, remains to be seen.

Verdict
Ashutosh gets a bright star for his sheer grit and conviction about choosing this subject,one for Hrithik and Aishwarya together for backing such an unusual project and a huge dazzling star for Ravi Dewan’s memorable action sequences.

PostComments
Post Comments
Name * Message *
Email ID *
Subject *
TERMS OF USE: The views, opinions and comments posted are your, and are not endorsed by this website. You shall be solely responsible for the comment posted here. The website reserves the right to delete, reject, or otherwise remove any views, opinions and comments posted or part thereof. You shall ensure that the comment is not inflammatory, abusive, derogatory, defamatory &/or obscene, or contain pornographic matter and/or does not constitute hate mail, or violate privacy of any person (s) or breach confidentiality or otherwise is illegal, immoral or contrary to public policy. Nor should it contain anything infringing copyright &/or intellectual property rights of any person(s).
I agree to the terms of use.
ViewComments
JODHA AKBAR COMMENTS by Prue Prue on 2008-04-04 16:37:22.738641+05:30 The movie belongs to Hrithik who has done a magnificent job. Aishwarya is ok in certain sequences but not entirely. She was completely overshadowed by Hrithik's prowess in the sword fighting sequence. The fight master did a brilliant job in hiding her weaknesses. The whole romance was not very believable as Akbar is known to have many wives (including many Rajput princesses not just Jodha). It is hard to believe that an Emperor would go to get his wife back and return empty handed. This was mainly done for dramatic effect so her arrival could be announced during the 'Azeem Shahenshah' song and dance extravaganza. Watch it only for HRITHIK. He RULES OK!!!

Reply | Forward