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REVIEW (MALAYALAM)
Samasthakeralam P.O., it’s said in the beginning, is a story that connects with the whole of Kerala.
REVIEW (BANGLA)
Smritimedur is a digital film, a new trend that is emerging in Bengali cinema over the past few years and is gaining momentum...
REVIEW (MARATHI)
Age-old tradition and beliefs are followed even today in the 21st century. But awareness is what makes lives simple.
REVIEW (BANGLA)
Often mainstream Indian filmmakers keep falling into the dangerous trap of globalisation.
REVIEW (BANGLA)
Abir and Pooja are classmates who fall in love. Girl’s father is so obsessively possessive about his daughter that he sends a bodyguard to escort her.
REVIEW (MALAYALAM)
IG is a typical Suresh Gopi film, with exactly all those ingredients that you’d expect in a Suresh Gopi brand of thriller.
REVIEW (MALAYALAM)
Banaras, as the name suggests, is set mainly against the holy city of Banaras and tells the story of a young man named Hari, who travels there from Kerala with a purpose.
REVIEW (MALAYALAM)
In Harihar Nagar, the laugh-riot that was released in 1990, finds a sequel in 2 Harihar Nagar, a film that is definitely worth a watch.
REVIEW (KANNADA)
A remake of the Tamil Devathaye Kandein, Jaaji Mallige tells the story of Ramu, who goes about selling tea on his bicycle.
REVIEW (TAMIL)
Cinematographer-director K.V. Anand, who had earlier given us Kana Kandein, now teams up with Suriya to give us a total action flick in Ayan.
REVIEW (MALAYALAM)
Amal Neerad, who has worked in Bollywood as a cinematographer under Ram Gopal Varma now impresses us and exhausts us with Sagar Alias Jacky Reloaded.
REVIEW (BENGALI)
Aparadhi is the intriguing title of this Prosenjit-Priyanka-Victor Banerjee masala mix in the name and style of Bengali pop melodrama...
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