|
Kavi
Pradeep always wrote meaningful songs which fit the situation in
the film and help convey the message to the audience. Many films
got repeat audiences mainly because of his songs
Kavi Pradeep
(Ramchandra Dwivedi) was born in Badnagar, Madhya Pradesh on February
6, 1915. Since his early student days in Madhya Pradesh and later
in Uttar Pradesh, he had a passion for writing and rendering Hindi
poetry. He hypnotised the audience at kavi sammelans with his inimitable
style. In the late 30s he moved from Allahabad to Mumbai and
from kavi sammelans to the Hindi film industry.
It was the late
Himanshu Roy of Bombay Talkies who gave Kavi Pradeep his first break
when he signed him to write the songs for his film Kangan. The film
starring Devika Rani and Ashok Kumar and was made 59 years ago in
39. He wrote four songs all of which became very popular and
sung three of the songs himself.
|
Kavi
Pradeeps daughter Mitul goes down memory lane and gives
an insight into her fathers life, whom she fondly called
Bapu:
I
have some very warm memories of Bapus sittings (rehearsals)
with leading music directors and singers at our residence.
I and my Didi (Sargam) used to hide behind the door of Bapus
room to listen to the rehearsals. Except for some brief interaction
with the frequent visitors like Asha Bhosle, Mahendra Kapoor,
Mohammad Rafi, C. Ramchandra, Laxmikant-Pyarelal, Bharat Vyas
and Indeevar to name a few, we hardly met film folks. Bapu
too never attended film parties. But he got a lot of respect
from the film industry. When he was honoured with the Dadasaheb
Phalke Award, the maximum visitors were from the film industry.
Those belonging to his generation came to wish him, while
the younger generation was there to seek his blessings. I
would like to make a special mention of the Film Writers
Association, which was the first to rush home (the entire
Committee) to congratulate Bapu.
Bapus needs at home
were very few but precise. One of them was to have his radio
in good condition, so that his early morning BBC news could
be heard uninterrupted, followed by the All India Radio news.
He would keep us well-informed with the latest news update
of India and the world.
Another important need of
his was the tasty dal my mother made. She was a great cook
and the only way to irritate her was to criticise her dal.
Bapu would do just that and after teasing her, he would have
a hearty laugh. Bapus laughter was a reflection of his
honesty and simplicity. He was also an animal lover, and we
had seven cats and three dogs.
Bapu was born on February
6, 1915, in Madhya Pradesh, and completed his education in
U.P., Allahabad and Lucknow University. He came to Mumbai
in 1939 and got married to Bhadraben in 1942.
During his early years in
college in Allahabad he got involved in the Freedom Struggle.
Bapu lived just behind the Nehru family residence Anand
Bhavan in Allahabad, and attended meetings addressed
by prominent Congress leaders. He was witness to the martyrdom
of Chandra Shekhar Azad, and was deeply affected. Soon, he
started expressing his patriotic feelings through his poety.
Bapu made quite an impact
at the Kavi Sammelans. He had a unique way of reciting the
poetry like a song, in a powerful voice, that too without
any formal training. Among those who have heard his thundering
poetry recitation is his contemporary Shri Harivanshrai Bachchan.
After graduating from the
Lucknow University, Bapu came to Mumbai, never to go back.
The film industry welcomed this new poet with open arms and
success followed.
Bapu continued writing poetry,
but by and by his writing became simpler for the common man
to understand. In his spare time he wrote many patriotic and
devotional lyrics, which his colleagues coaxed him to give
to films. Tere dwar khada Bhagwan..., Koi
lakh kare chaturai... and Pinjare ke panchchi
re... are some of the lyrics which he himself sung.
Today, Bapu is physically not present, but his immortal
creations will keep him alive forever.
|
Then came Bandhan
produced by S Mukherjee and directed by Gyan Mukherjee. All the
songs written by Kavi Pradeep became big hit with Chal chal re naujawan
making history. The freedom movement was at a crucial stage at the
time and this song gained instant popularity.
Pradeep wrote
for five more Bombay Talkies films including Punarmilan, Jhoola,
Naya Sansar, Anjan and Kismet. When Mahatma Gandhi gave the Quit
India call Kismet was under production. All the leaders were
in jail and the country was in great turmoil. This is when Pradeep
penned Aaj Himalay ki choti se phir hamne lalkara hai...door
hato ae duniyawalon Hindustan hamara hai. This was the first
song of Kismet and theatres resounded with once more
calls after it ended. The reel had to be rewound and the song screened
again and again. The song however was a direct attack on the British
Government and Pradeep had to go underground to avoid arrest. Kismet
made box-office history, running for 3-1/2 years in one theatre.
Then came Mashaal
with the ever popular song by Manna Dey, Upar gagan vishal
niche gahara pataal, bich mein dharati, wah mere malik tune kiya
kamal...
There was no
looking back for Kavi Pradeep after this. He gave two more hit films,
Nastik and Jagruti. He wrote and sang another evergreen song. Dekh
tere sansar ki halat kya ho gayi bhagwaan kitna badal gaya insaan...
Jagruti is
remembered even today for its songs which are played every Independence
Day and Republic Day throughout the country. The songs are Aao
bachchon tumhe dikhayen jhanki Hindustan ki, iss mitti se tilak
karo, yeh dharti hai balidan ki..., Hum laye hain toofan
se kishti nikal ke iss desh ko rakhna mere bachon sambhal ke...
and Dedi humein azadi bina khadak bina dhal, Sabarmati ke
sant tune kar diya kamal...
Kavi Pradeep
always wrote meaningful songs which fit the situation in the film
and help convey the message to the audience. Many of films got repeat
audiences mainly because of his songs.
Two films are remembered even today for the songs he wroteTalaaq,
a Rajendra Kumar starrer and Paigam starring Dilip Kumar, Raaj Kumar
and Vyjayantimala. Insan ka insan se ho bhaichara, yahi paigam
hamara... is hummed even today.
S. Mukerjis
Sambandh also owes his success to songs like Chal akela chal
akela, tera mela pichche chchuta rahi chal akela..., Jo
diya tha tumne ek din mujhe phir wohi pyar de do... and Ek
karaj mangta hum bachpan udhar de do... So also Jai Santoshi
Maa, a low- budget film made in 75 which became an all-time
hit. For four months theatres screening this film had houseful boards
outside. According to trade magazines its business was on
par with Sholay. Special pooja was performed by ladies Mein
to aarti utaroon re Santoshi mata ki... was played in the
theatres. Many times the reel had to be rewound and the song played
again by public demand. Low-budget mythological films got a new
lease of life with Jai Santoshi Maa.
The popularity
of Kavi Pradeeps songs stemmed from the fact that he wrote
meaningful songs but his lyrics were such that any layman could
understand them. He also sang soulful songs in his charismatic voice
which even today sparkling gems.
Amongst his
timeless creation there is one milestone which though not a film
song is nonetheless a part of film history because it was the contribution
of three stalwartsLata Mangeshkar, C. Ramchandra and Kavi
Pradeep. The song is Aae mere watan ke logon, zara ankh mein
bhar lo pani, jo shahid hue hai unki zara yaad karo kurbani...
From 1963 to 2002, for 40 years the song has remained ageless. It
is said that when Jawaharlal Nehru, the then Prime Minister, heard
the song, he had tears in his eyes.
|
MELODIOUS
MILESTONES
|
| ‘Main to arti utaron radheshyam ki re...’
|
(Kangan) |
| ‘Hawa tum dheere bahao...’ |
(Kangan) |
| ‘Sooni padi re sitar...’ |
(Kangan) |
| ‘Nacho nacho pyare man ke mor...’ |
(Punar Milan) |
| ‘Chal chal re nau javan...’ |
(Bandhan) |
| ‘Chane jor garam babu...’ |
(Bandhan) |
| ‘Piyoo piyoo bol pran papihe...’ |
(Bandhan) |
| ‘Ruk na sako to jao...’ |
(Bandhan) |
| ‘Kheencho kaman kheencho...’ |
(Anjan) |
| ‘Jhoole ke sang jhoolo...’ |
(Jhoola) |
| ‘Na jane kidhar aaj meri nao chali re...’ |
(Jhoola) |
| ‘Main to dilli se dulhan laya re...’ |
(Jhoola) |
| ‘Aaj mausam salona salona re...’ |
(Jhoola) |
| ‘Mere bichhade hue saathi...’ |
(Jhoola) |
| ‘Door hato ae duniya walo Hindustan hamara
hai |
(Kismet) |
| ‘Dheere dheere aa re badal...’ |
(Kismet) |
| ‘Papiha re, mere piyase...’ |
(Kismet) |
| ‘Ghar ghar mein diwalee hai mere ghar me
andhera...’ |
(Kismet) |
| ‘Ab tere siva kaun mera...’ |
(Kismet) |
| ‘Har har mahadeo allah o akbar...’ |
(Chal Chal Re Naujawan) |
| ‘Ram bharose meri gadi...’ |
(Girl’s School) |
| ‘Oopar gagan vishal...’ |
(Mashal) |
| ‘Kiski kismet mein kya likha...’ |
(Mashal) |
| ‘Aaj ashia ke logon ka kafila chala...’ |
(Kafila) |
| ‘Koyal bole ku...’ |
(Baap Beti) |
| ‘Kahna bahjaye bansari...’ |
(Nastik) |
| ‘Jai jai ram raghurai...’ |
(Nastik) |
| ‘Kitna badal gaya insan...’ |
(Nastik) |
| ‘Gagan jhan jhana raja...’ |
(Nastik) |
| ‘Tere phoolon se bhi pyar...’ |
(Nastik) |
| ‘Sabarmati ke sant...’ |
(Jagriti) |
| ‘Hum laye hain toofan se...’ |
(Jagriti) |
| ‘Chalo chalen maa...’ |
(Jagriti) |
| ‘Aao bachacho tumhen dikhayen...’ |
(Jagriti) |
| ‘Tere dwar khada bhagwan...’ |
(Waman Avtar) |
| ‘Kahe ko bisara hari naam, maati ke putle...’
|
(Chakradhari) |
| ‘Doosara o ka dukhada door karne wale...’
|
(Dashera) |
| ‘Tunnaak tunnak bole re mera ektara...’ |
(Ram Navmi) |
| ‘Pinjare ke panchhi re...’ |
(Naag Mani) |
| ‘Koi akh kare chaturai’ |
(Chandi Pooja) |
| ‘Nai umar ki kaliyo tumko dekh rehiduniya
sari’ |
(Talaq) |
| ‘Bigul baj raha azadi ka’ |
(Talaq) |
| ‘Mere jeevan mein kiran ban ke’ |
(Talaq) |
| ‘Mukhada dekhle praani’ |
(Do Bahen) |
| ‘Insan ka insan se ho bhaichara’ |
(Paigham) |
| ‘O ameeron ke parameshwar’ |
(Paigham) |
| ‘Jawani mein akelapan’ |
(Paigham) |
| ‘O dildaar bolo ek baar’ |
(School Master) |
| `Aaj suno hum get vida ka garaha’ |
(School Master) |
| `Sanvariya re apni meera ko bhool na jana’ |
(Aanchal) |
| `Na jane kahan tum the’ |
(Zindgi aur khwab) |
| `Aaj ke is insaan ko ye kya hogaya’ |
(Amar Rahe Ye Pyar) |
| `Sooraj re jalte rahena’ |
(Harishchandra Taramati) |
| `Toot haiee hai mala’ |
(Harishchandra Taramati) |
| `Janma bhoomi maa’ |
(Netaji Subhash Chandra
Bose) |
| `Suno suno desh ke hindu - musalman’ |
(Netaji Subhash Chandra
Bose) |
| `Bharat ke liye bhagwan ka ek vardaan hai
ganga’ |
(Har har gange) |
| `Chal akela chal akela’ |
(Har har gange) |
| `Tum ko to karodon saal hue’ |
(Har har gange) |
| `Jo diya tha tumne ek din’ |
(Har har gange) |
| `Ye khushi leke main kya karoon’ |
(Har har gange) |
| `Sukh dukh dono rehte’ |
(Kabhi dhoop kabhi chhaon) |
| `Hay re sanjog kya ghadi dikhlai’ |
(Kabhi dhoop kabhi chhaon) |
| `Chal musafir chal’ |
(Kabhi dhoop kabhi chhaon) |
| `Jai Jai narayan narayan hari hari’ |
(Haridarshan) |
| `Pabhu ke bharose han ko gaadi’ |
(Haridarshan) |
| `Maarnewala hai bhagwan bachanewala hai bhagwan’ |
(Haridarshan) |
| `Main is paar’ |
(Agni rekha) |
| `Main to aarti utaron’ |
(Jai Santoshi Maa) |
| `Yahan wahan jahan tahan’ |
(Jai Santoshi Maa) |
| `Mat ro mat ro aj’ |
(Jai Santoshi Maa) |
| `Karati hoon tumhara vrat main’ |
(Jai Santoshi Maa) |
| `Madad karo santoshi mata’ |
(Jai Santoshi Maa) |
| `He maruti saari ram katha ka’ |
(Bajrangbali) |
| `Banjaa hoon main’ |
(Aankha ka tara) |
|
And above all `AE MERE
WATAN KE LOGON’
|
|